Like Napoleon Dynamite in 2004 and Little Miss Sunshine in 2006, Juno (2007) is the little independent film that could, chugging up from oblivion and into the hearts of millions of movie goers across the nation. In classic indie fashion, Juno's slice of (slightly surreal) life is filled with quirky characters, off-beat dialogue, and a 1:1 ratio of pop culture references to minute of film.
It's impressive that an indie film about a pregnant teenager who decides to give her baby up for adoption has managed to garner major attention via word of mouth and critical acclaim, racking up a total of four Academy Award nominations (a tie with Little Miss Sunshine in 2007) - Best Picture, Best Actress, Best Director, and Best Original Screenplay. How did this film, and others like it, manage to sneak past the Hollywood blockbusters and billion-dollar film franchises to infiltrate popular culture and eventually, DVD collections everywhere?
It's fun to root for the underdog, especially when the underdog is funny and charming.
In the title role, Ellen Page is a classic indie heroine: a witty fast-talker (ala Gilmore Girls), oozing with conviction, and so overflowing with cutesy colloquial slang that you're sure she's likely to burst, and not just from the baby. Yet even as she's smugly pimped out on the lawn of her would-be boyfriend, reclining in an arm chair with a pipe in hand, Page reveals Juno's vulnerability as she falters, unsure what to do and say next. She may be clever and she may be cocky, but she's just as three-dimensional as the rest of us - overwhelmed and insecure; a teenage girl who doesn't know who the hell she really is.
As a film, Juno is fairly down to earth, sticking to the feel-good comedy genre and shying away from the potential melodramatic plot lines that run amuck in most Hollywood/Lifetime "My Baby is Having a Baby" productions. The supporting cast is strong, with plenty of laughs to go around, although Ellen Page is the real standout. Some of the colloquial slang and euphemisms are fun, but Juno and her best friend Leah drop so many of them in "casual" conversation that it can be overwhelming. No real teenager talks like that all the time, no matter who they are trying to impress.
The film's most underplayed relationship, and perhaps one most deserving of recognition, is Juno and Leah's friendship. Leah is there for Juno from the beginning, acting as her confidant, passing no judgment, and supporting her through school lunches, ultrasounds, and the birth. High school can be especially hard for teenage girls (pregnant or not), and it's refreshing to see a character who actually does stick up for her best friend, despite the established peer rejection and Juno's pariah status. While Juno may be lucky to get her guy in the end, she's just as lucky to have a friend she can rely on, through pregnancy and beyond.
*8/10*
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